Film criticism essay

Let's start with the anger at Joss Whedon's Wonder Woman script, which sort of turned into a larger discussion about Joss Whedon's career in general. When it started happening, I noticed a lot of people of my generation caught off guard by the fact that a number of people actually have issues with Joss Whedon and they launched into defense mode. Part of me had the instinct too. Did they not know that Joss Whedon was basically a savior for so many young weirdos in search of deeper connection? That Buffy basically was basically gospel to a generation of young women, progressives, and gay teens who were looking for understanding and kinship? Do they not understand that he's probably one of the best functional writers on the planet, what with his acumen not just for dramatic plotting, non-bullshit twists, and thematic resonance that ties deeply into meaningful metaphors? Do they not understand that even he when he dives into problematic, un-empathetic subject matter, that he deals with these things with empathy and nuance? Do they not know these things?!?!

Longer essays may also contain an introductory page that defines words and phrases of the essay's topic. Most academic institutions require that all substantial facts, quotations, and other porting material in an essay be referenced in a bibliography or works cited page at the end of the text. This scholarly convention helps others (whether teachers or fellow scholars) to understand the basis of facts and quotations the author uses to support the essay's argument and helps readers evaluate to what extent the argument is supported by evidence, and to evaluate the quality of that evidence. The academic essay tests the student's ability to present their thoughts in an organized way and is designed to test their intellectual capabilities.

The final fifteen items assess the student's ability in literary criticism. Upwards of six selections, in toto or excerpted, are provided for analysis. Three to four items, usually, per selection or excerpt ask the student to recognize or understand the literature; the analytical tools represented by the concepts that are covered in the Handbook and that are often exercised in analysis and discussion of literature to a depth often accomplished in the review of the literature listed on the UIL Reading List (see Part 2) are thus applied.

Indeed, what makes Mad Max so exciting is its sheer number of women. If one or two bore the sole burden of representation, it would be easy to dismiss Furiosa as an uber-competent “strong female character,” the wives as damsels in distress, and the female motorcycle gang as minor supporting players. But because they all appear together, none of them feel like stereotypes. The film acknowledges the vast diversity of the female experience and presents these women as active players in their own stories. That wealth of onscreen representation is a luxury men have long enjoyed and it’s precisely what feminist critics are demanding—that women not be presented as token characters but as living, breathing human beings.

Film criticism essay

film criticism essay

Indeed, what makes Mad Max so exciting is its sheer number of women. If one or two bore the sole burden of representation, it would be easy to dismiss Furiosa as an uber-competent “strong female character,” the wives as damsels in distress, and the female motorcycle gang as minor supporting players. But because they all appear together, none of them feel like stereotypes. The film acknowledges the vast diversity of the female experience and presents these women as active players in their own stories. That wealth of onscreen representation is a luxury men have long enjoyed and it’s precisely what feminist critics are demanding—that women not be presented as token characters but as living, breathing human beings.

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