Based by david essay mercy play question rabe richard selzer

from the people he paints. Kassan’s technical mastery of oil paint combined with adept draftsmanship enables him to fluently represent what he sees. This is evident in the stunning flesh tones Kassan achieves. Transparent layers of oil paint are built up, forming an intricate lattice of veins, blood and skin. Through this light enters and is reflected back, infusing the subject with veridical luminosity. We can also sense movement and life beneath the undulating creases and folds of clothing. It is the artist’s intent to control the medium of oil paint so that it is not part of the viewer to subject equation. Kassan facilitates an interface between subject and viewer with which he is conscious not to interfere. The technical aspect of his work is thus a means to an end; an end rooted in the viewer’s experience.We find inherent contradictions in Kassan’s work as it oscillates between representation and transformation, reality and abstraction.

Based by david essay mercy play question rabe richard selzer

based by david essay mercy play question rabe richard selzer

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based by david essay mercy play question rabe richard selzerbased by david essay mercy play question rabe richard selzerbased by david essay mercy play question rabe richard selzerbased by david essay mercy play question rabe richard selzer